Skip Navigation

French Studies 2004 58(3):313-326; doi:10.1093/fs/58.3.313
© 2004 by Society for French Studies
This Article
Right arrow Full Text (PDF)
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to My Personal Archive
Right arrow Download to citation manager
Right arrowRequest Permissions
Google Scholar
Right arrow Articles by Hunt, T.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Connotea   Add to Del.icio.us  
What's this?

A Forgotten Author — Péan Gatineau

Tony Hunt1

1 St Peter’ College, Oxford

The Life of St Martin of Tours by the forgotten Tourangeau writer Péan Gatineau, writing in the second quarter of the thirteenth century, offers striking evidence of the liberation of octosyllabic verse from the line or couplet as a unit of composition through the use of enjambement, the bold rejet, and the breaking of the couplet. Péan’s practice is compared with that of his near-contemporaries Gautier de Coinci and the anonymous author of the first Vie des Pères. The evidence collected is important for a much-needed history of the evolution of medieval octosyllabic verse, and is part of an appeal to text editors to give greater consideration to their authors' handling of metrical structures, rhythm as well as rhyme.


Add to CiteULike CiteULike   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us    What's this?




Disclaimer: Please note that abstracts for content published before 1996 were created through digital scanning and may therefore not exactly replicate the text of the original print issues. All efforts have been made to ensure accuracy, but the Publisher will not be held responsible for any remaining inaccuracies. If you require any further clarification, please contact our Customer Services Department.